URBAN DECAY| ON THE CONCOURSE| ESCAPISM VIA DRUGS| MACHINES CHOKING THE ARTERIES| A MOSCOW APARTMENT| ECONOMIC REFUGEES| THE HUMAN MENAGERIE| ZEN AND THE ART OF VEHICLES| CRUCIFIED BY THE HIGHWAY| ON THE ROAD TO.....| FALLEN STATUES IN THE PUBLIC PARKS| THE PRINCE OF NARCOSIS| TO THE SEA OF TRANQUILITY| T MINUS AND COUNTING| DEDICATED TO ALL ASTRONOMERS.... KEEP WATCHING THE SKIES! Front row (l-r) NIGEL JONES (bass), BRIAN ANSELL (guitar), NATHAN BUNDY (keyboards), ANDY DENTON (drums), back ALEX NOVAK (vocals).
THE VENUS FLY TRAP is a gothic-rock band
from Northampton led by vocalist Alex
Novak, with Gary Lennon (guitar), Andy Denton (drums) and Neil Ridley (bass),
and they are very professional musicians who pride themselves on live performance.
Their 10-track CD album, LUNA TIDE (1995 Spectre Records SPV084-25272 CD), is concerned with urban decay, drug escapism, the new Russia and space travel, and is highly reminiscent of THE DOORS, coincidentally because of Alex's 'Jim Morrison-style' vocals and otherwise because of a swirling Hammond organ. VFT contrive to combine dark themes with exciting rock music. This is their fourth album and follows a two year-break during which time they have been touring all over continental Europe where they have an enthusiastic following and enjoy good coverage in music fanzines.
'FLUX' INTERNET 'ZINE, JAN '96
VENUS FLY TRAP/ "Luna Tide" (CD) -Spectre Warning!---This release is not recommended for most of this zine's readers. Now that that's out of the way.... Anyone who digs fellow Brits, Sisters of Mercy and Nick Cave or some old Holly Faith from here in the states. (like me). will want to seek this out. VFT tag themselves as the "New Wave of Dark Wave", but it's not that dark; more in the vein of 80's Gothic alternative rock. In the event VFT gets some distribution in the states, I believe they have the potential to become huge. 'SHADOWS OF MICHAELANGELO 'ZINE' AUG '96 (USA)
THE VENUS FLY TRAP 'Luna Tide' - SPECTRE/SPV THE VENUS FLY TRAP! Even the name alone is enough to arouse curiosity. 'Luna Tide' is the fourth album for this Brit. outfit who describe themselves as 'new wave of dark wave'. It also saves you the trouble of trying to pin your own label on them. After listening to 'Luna Tide' and reading the press release, I got two different impressions of VFT. One, the music was so dark and brooding you had to have a wake and wear a mourning shroud to listen to it. Maybe I'm just a depressing person cause I found 'Luna Tide' not as black as people were saying it was. It has certainly got a kind of grim atmosphere all it's own. I actually found the music quite upbeat, infectious with it's groove, even uplifting and with the dirgy organ, like rock 'n' roll wurlitzer music. VFT are still a rock band despite the alternative rock/goth they are invaribly tagged with, and yeah there is a kind of THE CULT/KILLING JOKE ring to it. Most noticeable is THE DOORS tinge and the vocals which are a bit Morrison like. 'Luna Tide' though sounds quite refreshing to me, I have only heard a handful of alt. bands and a few goth, so I can't really make any real comparisons, except for saying the music sounds like it draws it's influence from the early 70's, mixed up with some modern influences going into a strange kind of brew. It seems VFT have set out to achieve one thing and that is to provoke thought with their music, and the reaction to it is quite diverse. The production is something on the raw side, that and the fuzzed out mania of the guitar and drum blasts go to give an abrasive edge and feel to the album. VFT though seem to be at their most haunting when they strum the accoustic guitar in "Heretic", very JEFFERSON AIRPLANE and a little psychedelic. 'Luna Tide' is not a bad album at all. 'NOIZE CHAMBER 'ZINE' JULY '96 (NEW ZEALAND)
VENUS FLY TRAP 'Luna Tide' Semi-concept LP from a Northampton based outfit. Darkly suggestive of that pre-Goth Rock mid-'80s period, the muscicianship is strong (particularly the rhythm section), all overlaid with a nifty Doors-y Hammond organ. 'KERRANG MAGAZINE' JAN '95 (KKK)
VENUS FLY TRAP 'Luna Tide' Longtime veterans of the underground, make suprising headway out of usual dark music. Maintaining a cold feel, they've broadened their sound to include rock, alternative, '80s influences and more. This excellently produced album opens with an Echo/Doors feel, then progresses to become more rock. Very cold. Very live. Novak's lyrics underscore the music's bleak grey feel, telling of confrontation, and decay. New underground for anyone into 'alternative'. 'ENZYME 'ZINE' MARCH '96 (USA)
For those that are unfamiliar
with The VENUS FLYTRAP
can you begin by giving a
brief history of the band
and how it all got started
for you? "Well. I had just left a
band called ATTRITION who I had
done an album with. 'Smiling At The
Hypogonder Club' and dates in the
UK and Holland and decided I
wanted to do another band that I
had a bigger input in. It was difficult
being in someone else's
group. but useful experience."
How did the band come to be
called The VENUS FLYTRAP?. "It's
always difficult to pick out a name
for a band as you can imagine. so
many connotations. VENUS FLYTRAP
didn't sound as though it fitted with
any particular type of music. Also
there were plenty of images we
could play around with like 'Venus
the goddess of love. mythology.
planets and sci-fi. femme
fatales...etc'."
VFT seems to have picked up
quite a following in Europe but
elsewhere the band still seems
rather unknown. Is it that
European audiences
are more open to
accept something
new like VFT?. "Most of
the labels we've worked
with have been
European based, so
obviously all the
promotion has been in
those countries whether
it's press, radio or
touring. But yes the
media does seem more
open on mainland
Europe, which is good
for us."
You have done some extensive
touring through Europe in the past.
Do you see VFT as a road band?
There are some bands who find
being on the road a chore; but it
comes as part of the territory. How
do you cope with long spells away
from home?. Is there fun being on
the road? "Well the travelling can be
a pain, you do start to get 'cabin
fever', but it's part ot the whole
experience."
You have now released your
fourth album, without any real major
backing and yet you are still
hanging in there. Is that
determination on your own part to
do your own thing and to let
everybody else do theirs?
You have been receiving very
positive press for the album 'Luna
Tide', but it's seems journalists have
a hard time pinning the bands music
down. It doesn't just fit into one
category, It must give you a certain
satisfaction to keep the press
guessing about VFT?.
You describe yourselves though
as 'new wave of dark wave' and it
seems to fit the concept of VFT. Is
that just a way of eliminating other
unfair tags people might put on the
band?
The popular opinion of VFT is of
dark brooding music, or just being
plainly depressing. Is that the kind of
reaction you are looking for or is it a
matter of people getting out of it
what they want?.
I was surprised by the
comparisons to other bands VFT
seem to evoke with the print media.
Do you take much interest in
politics?
Is it important for you to add some
humour into the songs to lighten
the heavier moods?.
Who have been some of your
main influences?.
In what direction do you see the
band heading in now ?. Are you
looking at moving away trom your
dark image?
Do you see the press on the
whole as being very favourable
toward the band?
What have been some of the
highlights for VFT so far?.
Do you have any on-going
projects outside of the band or
associated with it?
Is it frustrating for you to find that
now after putting out four albums to
still be something of a cult band?.
Are you happy with where the
band is at present?.
Is it hard to get good promotion
for the band while being associated
with a small unknown indie label?
How do you go about
promoting the band?
Is VFT a professional band. that
is does your music support you?.
Any other hobbies/interests you
pursue outside of the band?. '
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